![]() For example if you get a vocal, that is clipping most of the time. That said, I have to tell you, that I am not going to work with very low quality files. Other special approaches needed to achieve the perfect sound. #Signs dubplate mix how toI basically use the above on all vocals, but of course every recording has different characteristics, so there really is no standard procedure on how to get a good result and sometimes there are dynamic processors (compressor, limiter, de-esser, gate etc.) Here is a list of the most important plug-in types I use to make dubplates sound better: More Information on mixing and mastering:Īs most of the time when you order dubplates they come in a split verison with the voice completely unprocessed, these files need some special treatment to make them sound well, especially when That is a great improvement to the overall sound, because like mentioned before the split verison is only mono and not the same quality as the original. Have a good quality riddim file available! The first thing I do when mixing a dubplate is to replace the riddim from the split version with the original verison (whenĪvailable).Is also especially important if you voice a combination of two or more artists! Also the riddim version may be better and not only the lower quality mono file you get out of the split If you got an artist that doubles the vocals, then they are far better to mix when they are seperated. Get as many seperate files as possible! Ask for seperated files.Don't be satisfied with clipping! If you get a file that is severely clipped or distorted, then tell the engineer! Maybe he exported the file too loud and exporting a lower.Ask for WAV files! That's the most important thing to do, since the mp3 files are compressed lossy and therefore do not contain as much information as an uncompressed.Tips for ordering and recording Dubplates: However, if you are in a hurry and have to get it in a few hours, I may also be able to do that I try to mix your files as fast as I can, so normally you should have the finished files in a few days. If you are a new customer I can make a short demo of one of your dubplates, so you can see what I can do. Normally it is about 20€ for one dubplate. Time for me (say if you want auto-tune or something like that) the price might be higher. Also if you have special wishes, which take more Because every dubplate needs different treatment the rates may vary a bit. I also do revisions, if you need anything changed.įor more description on my technique scroll down a little bit. Of course I also can do drops in the riddim, cut something out or play around with the vocals, for example if you want to have the first and the second verse exchanged. #Signs dubplate mix professionalJay Ammo – ‘Lights’ (R.O.T.Essentially you get a well mixed dubplate, sounding more professional and playable in a club. If this doesn’t set your weekend off, we don’t know what will.Ĭommodo ft. Watch the session above and listen back to Spooky’s set below, with tracklist underneath. #Signs dubplate mix tvFACT TV linked up with Spooky at Mode FM in Enfield to film an exclusive set of his most prized dubplates, from Commodo and Sh?m to his own VIP of a dubstep classic.Īs he was mixing Spooky gave us a rundown of everything dubplate related, from their status in grime’s current revival to his own cutting style and why you should never cut a dub without permission. He also made one of the hardest FACT Mixes ever and holds a spot among on my top three favourite DJs of all time. Resident on Deja Vu, Mode FM and Radar Radio (sometimes passing through four stations a week), remixing and producing tunes, playing shows overseas and, crucially, cutting some of the most sought-after dubplates in the game. The London DJ and producer is one of the most hardest working people in grime. When it comes to dubplates, Spooky is your man. ![]()
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